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Historia Magazine

The magazine of the Historical Writers Association

  • Features
  • Interviews
  • Reviews
    • Books
    • TV, Film and Theatre
    • One From The Vaults
  • New books
  • Columns
    • Doctor Darwin’s Writing Tips
    • Watching History
    • Desert Island Books
  • Advertising
  • About
  • Contact
  • Historia in your inbox

Dr. Darwin's Writing Tips

Dr. Emma Darwin

Historia’s inimitable agony aunt, Dr Darwin answers your questions about the craft of historical writing.

Distressed by dialogue? Got your timelines in a tangle? Buried by your bibliography? Then this is the place for you.

Got a question for Dr Darwin? Email editor@historiamag.com. We can’t promise a reply but all questions will be considered for future columns.

Why should I not Tell? Why must I Show?

1 October 2022 By Emma Darwin

Dear Dr Darwin, People in my writing forum keeping telling me “Show, don’t Tell,” but I don’t understand what they mean. How can I not Tell, if I’m telling a story? And while I think I get what Showing means, I get desperately bored putting in all the details – so I’m sure a reader […]

How much should I explain? And how?

3 February 2020 By Emma Darwin

Dear Dr Darwin, As a reader of historical fiction I want to be in a place which may resonate in my world, but is not my world. That’s not only about politics and clothes, and how the people think and feel and believe, but in how they talk and write, and what they talk and […]

My writer’s circle friend keeps getting his facts wrong

15 November 2019 By Emma Darwin

Our resident agony aunt, Dr Darwin, answers a common question: how can we make sure our historical details are accurate – and believable? Dear Dr Darwin, Someone in my writers’ circle keeps getting facts wrong: things like calling a 17th-century character Tiffany, and giving her mother a vote in elections. He makes both of them keen […]

I want to write a parallel narrative novel, but I don’t know how

31 July 2019 By Emma Darwin

Historia’s resident agony aunt, Dr Darwin, answers another question about the craft (and art) of writing. This time: how to write a parallel narrative novel which grabs – and keeps – your reader. Dear Dr Darwin, I have fantastic idea for a novel which is made of two almost entirely separate historical narrative threads plaited […]

How do I convey necessary information without it being clunkingly obvious?

28 April 2019 By Emma Darwin

Woman writing: Pamela

Author Emma Darwin explains how you make sure historical fiction readers get necessary information without it being clunkingly obvious

Finding your historical voice

16 December 2018 By Emma Darwin

Jan Ekels the Younger: A Man Writing at his Desk

Our resident agony aunt, Dr Darwin, answers a common question: How can I find a voice for my historical fiction? Dear Dr Darwin, Writing courses boast they’ll help you to “find your voice”, and “the voice” is the thing that publishers and therefore agents say they are looking for almost above all. But what does […]

What counts as historical fiction?

29 September 2018 By Emma Darwin

Painting by Vermeer of a woman writing

Our resident agony aunt, Dr Darwin, answers a common question: what counts as historical fiction? Dear Dr Darwin, I told my grandmother that I was writing a historical novel set in the Liverpool of the early Beatles, and she laughed so hard she nearly fell off her motorbike. I told my brother the Beatles weren’t […]

How do you research historical fiction?

23 July 2018 By Emma Darwin

Our resident agony aunt, Dr Darwin, answers a common question – how do you research historical fiction? Dear Dr Darwin, Everyone says “research till your eyes bleed” – you did in your post about cultural appropriation – but when I Google, all I can find is the information I know already, repeated in a million […]

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Historia Magazine is published by the Historical Writers’ Association. We are authors, publishers and agents of historical writing, both fiction and non-fiction. For information about membership and profiles of our member authors, please visit our website.

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